When Larry Linville opted not to return to M*A*S*H after his five-year contract ended, the writers were careful not to replace the spineless, incompetent Frank Burns with a similiar character. Instead, they created Charles Emerson Winchester, III: a brilliant yet arrogant surgeon raised in a wealthy Boston family, accustomed to the finer things in life like expensive wine and classical music.
Charles is first seen enjoying classical music at the end of the Season 6 season premiere (“Fade Out, Fade In”) and then sporadically throughout the rest of the series.
Although most of the classical music heard on M*A*S*H involves Charles, there were episodes that featured other characters listening to (or talking about) classical music. Who can forget Radar’s “Ah, Bach” from “Love Story” (Season 1)? Or Hawkeye and Kyung Soon listening to Beethoven in “In Love & War” (Season 6)?
Also, Hawkeye and B.J. both sing pieces by Verdi in “Comrades in Arms, Part 1” (Season 6). And Hawkeye plays Bach’s “Arioso” for Inga in “Inga” (Season 7).
Many thanks to classical music enthusiast TWoods for his invaluable help compiling a list of all the pieces Charles listened to on M*A*S*H.
Season 6 (1977-1978)
Fade Out, Fade In
Composition Name: String Quartet No. 17 in B flat major K. 458 “The Hunt”
Composer: W.A. Mozart
This piece helps Charles relax after being assigned permanently to the 4077th. He plays it while waiting for Hawkeye and B.J. to return to the Swamp so his practical joke on Hawkeye can unfold.
Season 7 (1978-1979)
None Like It Hot
Composition Name: 1812 Overture
Composer: Peter Tchaikovsky
Charles enjoys this piece while relaxing in Hawkeye’s bathtub during a heatwave. He’s able to cut the line after a fight breaks out, distracting everyone else waiting for their chance to cool off.
Dear Comrade
Composition Name: Follie! Delirio vano e questo from La Traviata
Composer: Giuseppe
Not only does Charles conduct along to this composition in the Swamp, he mimes singing along as well. Unfortunately for him, Hawkeye and B.J. return from Tokyo and ruin his day.
Ain’t Love Grand
Composition Name: String Quartet No. 4 in C minor, Op. 18
Composer: Ludvig von Beethoven
After a lengthy stint in surgery, Charles puts on some Beethoven to relax, frustrating Hawkeye and B.J. who just want to sleep.
Composition Name: Serenade for Strings in C Major, Op. 48
Composer: Peter Tchaikovsky
Charles plays this piece for Sooni, hoping she’ll enjoy it. He calls it “Such stuff as dreams are made of” and hums along, but she doesn’t appreciate it.
Season 8 (1979-1980)
Guerilla My Dreams
Composition Name: Symphonie Fantastique
Composer: Hector Berlioz
Charles hums part of this composition while playing chess with Lt. Hung Lee Park. The distraction doesn’t work and Lt. Park wins the game.
Heal Thyself
NOTE: The cue sheet for this episode doesn’t include any of the following musical selections. Can anyone identify them?
Composition Name: Unidentified
Composer: Unidentified
Charles plays a recording of opera singer Enrico Caruso while he and Colonel Potter are in quarantine together with the mumps. Colonel Potter is less than impressed.
Composition Name: Unidentified
Composer: Unidentified
After Charles begins playing his Caruso record again, Colonel Potter rips it off the phonograph and flings it out of his tent, where it shatters against the side of an ambulance.
Composition Name: Unidentified
Composer: Unidentified
With Colonel Potter’s ears protected by a pair of makeshift earplugs, Charles is free to listen to his records–at least until Klinger, stricken with the mumps, joins them in quarantine.
Morale Victory
Composition Name: Piano Concerto for the Left Hand
Composer: Maurice Ravel
Charles saves Private David Sheridan’s leg and is shocked when his patient only cares about his injured hand. It turns out Private Sheridan is a concert pianist whose career, it seems, is over. But Charles is able to find sheet music written for one hand. Private Sheridan is initially resistant but after Charles opens up about his inability to play music, the talented pianist plays the piece brilliantly with just his left hand.
Season 9 (1980-1981)
“A War for All Seasons”
Composition Name: “Grand March” from Aida
Composer: Giuseppe Verdi
This piece is playing on the radio in Post Op when Klinger brings Hawkeye his package of sausage casings from Packo’s. Charles rushes in and wants to listen to baseball.
“Must we always listen to this mindless pap? Get to the sports news.”
Charles, “A War for All Seasons”
“Tell It to the Marines”
Composition Name: Overture to “The Flying Dutchman”
Composer: Richard Wagner
Charles is listening to this in Colonel Potter’s office when Potter returns from a conference in Tokyo. Dismayed at how Charles has taken over, Potter sneaks into the office and catches Charles by surprise. He then kicks Charles out–without his pants.
“Operation Friendship”
Composition Name: Anvil Chorus from “Il Travatore”
Composer: Giuseppe Verdi
Charles hums a portion of this piece while stamping reports in Klinger’s office.
“The Foresight Saga”
Composition Name: Serenade for Strings in C Major, Op. 48
Composer: Peter Tchaikovsky
Charles is enjoying this composition, played on his reel-to-reel player rather than his record player, when Hawkeye and B.J. arrive and announce Park Sung will be staying in the Swamp for a few days.
Season 10 (1981-1982)
“That’s Show Biz”
Composition Name: Piano Sonata No. 8, “Pathetique”, First Movement
Composer: Ludwig von Beethoven
Ellie surprises and impresses Charles by expertly playing a portion of this composition on the piano in the Officer’s Club. She mentions Dvorak and Brahms, two famous composers who also wrote folk dances, in an attempt to convince Charles to open his mind and “let a little fresh air in.”
The Birthday Girls
Composition Name: Pictures at an Exhibition – Tuileries
Composer: Modest Mussorgsky
Charles is listening to this on his record player in the Swamp when Margaret barges in to ask if he’ll give her nurses a lecture on using Levophed so she can go to Tokyo.
Picture This
Composition Name: Symphony No. 6 in B minor, Op. 74, Pathétique, 3rd Movement
Composer: Peter Tchaikovsky
After Hawkeye moves out of the Swamp, Charles tries to listen to this piece but B.J. won’t stop sharing the contents of a letter from Peg. When B.J. turns off his light to go to bed, he asks Charles to turn down the music. Charles says he does but the volume doesn’t change.
Composition Name: Overture to “Romeo and Juliet”
Composer: Peter Tchaikovsky
Charles relaxes while listening to this composition when Father Mulcahy stops by the Swamp looking for B.J. He then insists on talking with Charles about Hawkeye in an attempt to trick the Swamp mates into reconciling.
Composition Name: Serenade for Strings in C Major, Op. 48
Composer: Peter Tchaikovsky
This is playing in the Swamp when Hawkeye moves back in. B.J. is hard at work on a letter to his wife while Charles reads the paper.
Composition Name: “Pique Dame” Overture
Composer: Franz von Suppe
Charles tries to listen to this during the tag scene, but B.J. is again sharing stories from Peg’s latest letter. An annoyed Hawkeye turns up the volume on the record player.
Season 11 (1982-1983)
The U.N., the Night, and the Music
Composition Name: Piano Quintet in A major, “Trout”
Composer: Franz Schubert
Charles is listening to this piece when Hawkeye brings Dr. Kent to the Swamp. Dr. Kent and Charles bond over their love of chamber music.
Friends and Enemies
Composition Name: Symphony No. 5, 1st Movement
Composer: Gustav Mahler
At the start of the episode, Charles turns this piece on and annoys B.J., who is suffering from an ingrown toenail. B.J. calls the piece “garbage,” infuriating Charles. Klinger stops by with the mail. Charles receives a package of records, including more Mahler.
Composition Name: Kindertotenlieder
Composer: Gustav Mahler
Charles tries to listen this piece on the jukebox in the Officers’ Club but nobody else wants to hear it.
Composition Name: Kindertotenlieder
Composer: Gustav Mahler
Charles uses Margaret’s phonograph to listen to this in the Swamp in order to annoy B.J.
Composition Name: Symphony No. 5, 1st Movement
Composer: Gustav Mahler
Charles and Margaret play this piece to drive B.J. out of the Swamp.
Give and Take
Composition Name: Unidentified
Composer: Unidentified
This unidentified piece is playing in the Swamp while Hawkeye works on cataloging the 4077th’s new medicine to help out Klinger. Father Mulcahy barges in, turns off the music, and starts yelling at Charles.
Goodbye, Farewell and Amen
Composition Name: Mozart Clarinet Quintet In A, K 581
Composer: W. A. Mozart
A group of North Korean POWs play this piece, surprising Charles.
Later, he acts as conductor in the Mess Tent, trying to improve their performance.
When the POWs are shipped out, they play the piece in the back of the truck carrying them away from the 4077th–and from Charles.
“For me, music was always a refuge from this miserable experience. And now it will always be a reminder.”
Charles, “Goodbye, Farewell and Amen”
Published December 24th, 2019
First – beautiful catalog. Clearly not easy. And an inspired idea to catalog Charles’ music. I think the use of classical music in GFA was one of the best codas (pun intended) to any character in the series. To take what Charles’ loved and make it a constant reminder of war was one of the most perfect parts of GFA.
The mention of ‘Kindertotenlieder’ may have been a clue to what Hawkeye’s and Charles’ traumatic experiences in GFA would be. Think about it.
Unless I’m mistaken, Charles’ quote about music being a reminder of Korea, was after the N. Korean POWs in “GOODBYE, FAREWELL AND AMEN” were all killed while being shipped out. Charles, as much as he despised their incompetence, had gotten attached to them thru music.
For those who are interested, I have a couple of folders for the Classical Music. ( I don’t have all the pieces mentioned but most in some form or other)
The main folder here consists of 1 CD’s worth of tracks, (easy to burn). Obviously the pieces would have played for just a couple of seconds, this folder has the full versions of some of these pieces, you can download and burn them.
https://mega.nz/#F!ouJjDQbJ!qs1eKxu2Dm-biHagBqjgyQ
1 String Quartet No. 17 ‘ The Hunt ‘ – 1st Movement – Mozart – Fade Out Fade In
2 String Quartet No 4 in C – 1st Movement – Beethoven -Ain’t Love Grand
3 Serenade for Strings in C Major – 1st Movement- Tchaikovsky – Ain’t Love Grand
4 Grand March from Aida – Verdi – A War For All Seasons
5 Overture to “The Flying Dutchman” – Wagner – Tell It To The Marines
6 Piano Sonata No. 8, “Pathetique”, First Movement – Beethoven – That’s Showbiz
7 Pictures At An Exhibition – Tuileries Gardens – Mussorgsky – The Birthday Girls
8 Symphony No 6 ‘ Pathetique’ – 3rd Movement – Tchaikovsky – Picture This
9 Piano Quintet in A major, “Trout” – 2nd Movement – Schubert – The UN and The Night Music
10 Kindertotenlieder – 1st Movement – Mahler – Friends And Enemies
11 Clarinet Quintet in A Major – 1st Movement – Mozart – Goodbye, Farewell And Amen
Thank you very much for your efforts. Cheers!
I remember once seeing “Dear Comrade” in a rerun, and, remembering & enjoying the bit at the beginning w/ Charles lip-synching to the opera, I recorded the opening of the scene w/ my audio tape recorder. I especially thought it was funny when Hawkeye & BJ’s squealing Jeep breaks through the music on the high note & makes Charles spill his wine on himself.
Although I didn’t like the main plot of “Friends and Enemies”, I like this subplot, especially how Charles enlisted Margaret to gain revenge on BJ.
Here’s a YT clip from the same “Dear Comrade” opening, w/ audio & a few stills from the video of this episode:
https://www.youtube.com/watch?v=IVAGHRs9k6k
The piece from “Pictures at an Exhibition” was actually Ballet of the Chickens, not Tuileries. (Maybe he played both but I know I heard Ballet of the Chickens there.) But thank you – you helped me figure out which music it was!
What about the music he was playing on his French horn in The Smell of Music? The first song he was playing was the show’s thene song.
Good catch! I totally forgot about that one. He was playing the Overture to Tannhäuser by Richard Wagner.
I think that is in the finale, the fact that every one of the characters left the war with some sort of injury, physical, psychological, and emotional, added to the overall story, even if the story ended. I think that Charles losing his music is pretty harsh. I started listening to Classical music because of Charles, but Charles stopped. I find that really sad.
First of all, I believe the first operative melody in Season 8 “Heal Thyself” is
“Vesti la giubba,” from Pagliacci, by Ruggero Leoncavallo (1857 – 1919)
Here’s a YT clip of Caruso’s performance
https://www.youtube.com/watch?v=RL7wdUPXpiM
Also, in Season 10, “Picture This,” I believe the final piece played is from the middle of the “Pique Dae Overture,” but the version by Peter Ilyich Tchaikovsky (1840 – 1893). Both Tchaikovsky and Franz von Suppé (1819-1895) wrote their own operas based on Pushkin’s play “Pique Dame.” I am almost certain the passage we hear he is from the overture to the Tchaikovsky opera.
Finally, in that same episode, “Picture This,” when the cast is standing in for the ‘final run’ of Potter’s picture, Charles starts scat singing a melody and BJ tells him, “Too late, it won’t work.” That melody is the opening of the Serenade for Strings in E major, Op. 22, by Antonin Dvořák (1841 – 1904)
In the Goodbye, Farewell, and Amen episode, when Charles can’t listen to music anymore because of what happened. I still talk about that episode. I explained the whole thing to my mom after my dad and I watched the episode. And just the music part alone made me sad.
Great catalog for this topic … thanks!
Just watched the MASH finale and was surprised how the first several notes of the Mozart piece were the beginning of the chorus to “east side, west side” (The Sidewalks of New York). I haven’t found anything on the web yet that addresses that connection — has that been explored anywhere?
Well done! I have one correct though. There were two pieces called “Pique Dame”. The one Charles is listening to at the end of S10 E20 is by Tchaikovsky.
Oh wow!!!
This is SUCH fantastic information.
One question. Does anyone know what the folk music the Musicians in GFA are first playing when they find Charles? Love it and can’t find info anywhere.
Thank you!
A string quartet is captured (or saved). The quartet plays only oriental music, which frustrates Charles throughout the episode. He repeatedly asks them to play classical music, like Schubert, Brahms or Mendessohn. The quartet fails to understand him, since he does not speak Korean and they don’t speak English. Finally, in despair, Charles turns and walks way and mutters something like, “I would just like to hear some Mozart.”
Charles does not hear the whispering among the quartet. When Charles hears the first strains of a piece by Mozart, the expession which takes over his face is precious, and his posture shows relief of tension.
What is the name of that piece by Mozart in this eposode?
The POW’s are Chinese and the music is Mozart’s Quintet for Clarinet and Strings.
Two comments:
1. As for S10 E21 “Picture This,” having listened carefully to both Pique Dame overtures, I am now convinced that you are right, and I was wrong above–the one from the end of the episode is definitely the version by van Suppe.
2. As for S11 E14 “Give and Take,” when Father Mulcahy barges in and turns off the music, that music is the second movement of Piano Quintet in A, D. 667, “Trout”, by Franz Schubert (1797 – 1828). Here’s the music
https://www.youtube.com/watch?v=JagbCGwdTq4